The Military-Entertainment Complex
War films populated our video collection as a child. My dad would watch them regularly. Oliver Stone’s Platoon was a favourite. Hamburger Hill, another, more down-market Vietnam movie, featured prominently. Heartbreak Ridge, which had a grizzled Clint Eastwood whip a group of errant marines into shape in time for the US invasion of Grenada, was virtually always on. Iron Eagle, a slightly budget Top Gun substitute with a powerful coming of age narrative, was wheeled out occasionally. And of course Top Gun itself, which would often be playing on a Sunday.
I was born in 1982 and watched these films during the early 90s. None of these movies were remotely political artifacts for me at that time. They were simply stories, and exciting ones at that, absorbed without any acute judgment at all. Three decades on I am far better informed. And with a long-awaited sequel to Top Gun in cinemas, it is worth examining both the implications of militarism in movies and why military intervention in culture is so prevalent.
The second coming of Maverick
Released in 1986, Top Gun was an action-packed Cold War story which centred US naval aviators and provided a vehicle for Tom Cruise, Val Kilmer and Meg Ryan to launch their Hollywood careers. … Read more